Public Art is a contentious subject. It is the most visible art form and therefore is an easy target. But how do they come to appear in our public spaces? This lecture tracks the development of public art over the last century and looks at various examples to see why are some loved and others loathed.

It also explains the process of procurement from the initial commissioning to the production and installation. Drawing from my own experience and using case studies I take the audience through this process and try to show why we are all richer with the presence of art on the streets.

 

David Worthington

David Worthington has been drawn to abstract sculpture since seeing a Barbara Hepworth in a school history book aged 10. He graduated from Oxford University in 1984 with a degree in Philosophy and Theology, then studied fine art in London, Barcelona and New York. A maker he also curates and writes about art. He was shortlisted for the Jerwood Sculpture Prize in 2009.

He has carried out public commissions in the UK, America and Japan. His work is in the museum the Creative Cities Collection Beijing China. He has had solo shows at the Lefevre Gallery, Sladers Yard, Horatio’s Garden, the William Bennington Gallery, the Glyndebourne Festival Opera, and in October 2017 at the Lightbox Gallery Museum, Woking.